Exhibition

The Dr. Eva Kahan Foundation is pleased to announce the opening of the exhibition Total View: Sensing Sinicization at the Kahan Art Space Vienna.

Total View is an interdisciplinary long-term art project founded in 2023 by digital media artists Ferdinand Doblhammer, Ulrich Formann and the Futile Corporation. Total View‘s fundamental self-understanding is a close collaboration of the artists with researchers and journalists in order to jointly develop new forms of investigative approaches. 

The exhibition Total View: Sensing Sinicization on view at Kahan Art Space Vienna is the first in a series of exhibitions exploring the potential of technologies and data collection methods used to control public space, with a focus on assimilation measures and state censorship in the People’s Republic of China.

The project addresses the ongoing process of Sinicization in China and uses artistic approaches to respond to the blatantly increasing and relatively rapid changes in the Chinese urban landscape over the last five years, all of which point to the success of the Sinicization process. Sinicization is a term for a policy that aims to erase cultural differences and historical traditions of various ethnic, linguistic and religious minorities in China. The Total View: Sensing Sinicization project observes, researches and shows changes over time in architectural details, shop names, typographic objects and religious and cultural symbols in public spaces and, by using pattern recognition algorithms, tracks these changes in publicly accessible panoramic street views.

Exhibition visitors are invited to engage in the multisensory experience of these global data accumulations and their processing on a decelerated and localized level. The landscape images used in the installation are collected from Baidu, the Chinese company which provides a language search platform for online information and business services. Baidu Maps, which is the focus of Total View: Sensing Sinicization, is an application and technology for desktop and mobile map services that provides satellite images, street maps, street views (“panorama”) and indoor views, as well as functions such as a route planner.

Through the artistic (mis)use of Baidu Maps’ panoramic photos which are made publicly available (comparable to Google Maps on the other side of the world), several aspects of the surveying technology are turned upside down and inside out in the present exhibition, thus offering the visitor an unusual access to Baidu's data space behind the screens.

The panoramic camera, which is mounted on (future self-driving) cars that drive around the Chinese urban and rural landscapes and record them visually again and again, is installed in the middle of the exhibition space in reverse function, namely as a projector that projects the panoramic images taken by Baidu cars onto the exhibition walls. The panoramic images are connected to a digital a map of China which indicates their exact geographical location. The Baidu car itself, ideally installed in front of the art space, has been stripped of its recording device and thus deprived of its function. Moreover, standing still is exactly what its purpose is not.

In order to offer the possibility of precisely reading the temporal changes in sections of the panoramic images of Chinese urban landscapes, selected image crops are enlarged and – to be comparable in their individual recorded timeline produced by the passing Baidu cars – set up as individual objects like books on a shelf to be leafed through from front to back and back again. The slowing down and deceleration of the speed of data processing to a speed perceptible to the human senses thus opens up another space and time for the visitors to wonder, reflect and think.

 

The exhibition is curated by Dr. Katharina Gsöllpointner, a trained communication, media and art theorist with a special focus on the crossover of media aesthetics, digital technologies and cybernetics of art. Since 2019, she is head of the department International Programmes in SustainableDevelopments at the University of Applied Arts Vienna which aims to explore and define new forms of future-oriented university education, and which develops and implements inter- and trans- disciplinary master’s programmes in close cooperation with European and non-European universities and institutions.

From 1991 to 1995 Dr. Katharina Gsöllpointner was manager of the Ars Electronica Festival in Linz (w/ Peter Weibel). She has conceived, led, and carried out a series of inter- and transdisciplinary research projects on issues of mediaaesthetics and media art, e.g. ‘AESTHETIC KNOW-HOW. Language – Technology – Media’ (2007–2009) or ‘Digital Synesthesia’ (2013–2016).

Dr. Katharina Gsöllpointner publishes regularely about media and digital art history, media aesthetics and on topics of cross-disciplinarity of art and sciences.

 

The exhibtion Total View: Sensing Sinicization is realized with the kind support of the Austrian Ministry for Arts and Culture.